Montage Theory in Film Studies

Abstract

Two main obstacles exist as a barrier to a deeper understanding of 
montage theory. The first being the abstract concept of synthesis. A broad 
ranging term, synthesis is used to describe emotional results and vague 
interpretations created in the juxtaposition of shots. The second obstacle 
preventing young filmmakers from a more comprehensive understanding of the great 
potential for discovery in the editing process is the persistent advancements in 
motion picture technology. As filmmaking is a multidimensional art form, there 
is extreme latitude in the editing process. A time based art—sequences of 
juxtaposed images create complex meaning that last longer than the film itself 
with its finite dimensions of length, width and time. The two dimensional nature 
of the screen still allows for volumetric cutting, giving an illusion of a three 
dimensional space with a multitude of perspectives, and the added dimensions of 
sound and time create a truly lifelike experience which has proven over time to 
create both enlightenment and controversy.